‘To Ashes’ (2022), is a meditation on the themes of mortality, impermanence and loss. The work draws from the symbolism of fire and ash, materials closely associated with death and destruction, but also leading to a new cycle of creation. Used family beds, objects which hold memories\u00a0of life, dreams and struggles, were set on fire and reduced to debris. Charred and fragmented bed carcasses also allude to war, displacement and the aftermath of a disaster, coincidentally resonating with current events.<\/p>\n\n\n\n
The work combines sculptural detritus with moving image, developed from continuous experimentation with the material and visual qualities of fire and ash. As the fire gradually reduces the objects to ash, this formless and featureless substance is activated again by the caressing artists hand. The tactile gesture creates an emotionally charged atmosphere, inviting the viewer to reflect on the fragility and precariousness of life.<\/p>\n\n\n